Because I haven’t posted much, you may think I haven’t been stitching. Wrong! I’ve spent about 20 hours trying to learn the plaited braid stitch. I began working with Jane Zimmerman’s instructions and diagram.
This is the ubiquitous diagram, the same one in every stitch book and online source I could find.
Just couldn’t get it. One of my books offered a bit more word help, but I still couldn’t get it. As you can see:
I worked these vertically, starting out with a heavier braid than the design calls for and working at twice the scale, so I could see what I was doing (as I showed you a few days ago). My book said to work with a stiff thread, so I waxed some #8 pearl cotton and tried with that–the yellow samples. I also tried using the finer braid that the design calls for. A few times I got the stitch right for an inch, but then made mistakes. The example on the bottom right, worked in medium copper braid, is correct except for the loops being too loose as I began. What a mess!
This is what the stitch is supposed to look like:
All the instructions said to work from the top down. But Megan told me about Linda Connors’ instructions which can be found at her Calico Crossroads website. Do go look at the photograph of her plaited braid stitch. She offers completely different instructions in a step-by-step tutorial. Wonderfully clear instructions for working the stitch horizontally. It makes so much more sense. Megan has reviewed her tutorial, for any of you who may want to learn this stitch. What a difference it makes.
Before I saw the Calico Crossroads tutorial, I had already decided to try the stitch on canvas, thinking that the stiff, almost rigid canvas, would support and steady the loops so that I could see where to put the needle. So I pulled out all the canvas I had, including waste canvas of different counts, just in case, and a piece of Aida, count unknown. Fortunately for me, Linda’s tutorial is shown being worked on canvas.
Here’s my first attempt on the smallest count canvas I had–the largest grid, in other words:
This is done exactly according to the instructions, but it doesn’t look much like the stitch is supposed to look.
Here’s another try on a higher count canvas, still using medium copper braid:
Looking a little better. Then I tried it on Aida:
Getting better. It’s the tension that’s wrong. Once I learned the steps of the stitch, I found that the hardest part of making this stitch is maintaining a consistent tension, so that the loops are identical in size and just large enough to cover the lines. And another thing that makes this work so time-consuming is that the metallic threads repeatedly kink and gnarl, taking lots of time to straighten out as I go.
Meanwhile, off and on, I was trying out other threads and just practicing on another piece of uneven weave linen:
(I’ve put this on Flickr so you can enlarge it if you choose, for a closer look.)
Unattractive as it is, I did have some successes on this cloth. Number 8 is good, worked in Japanese gold medium braid. Number 2 was an attempt using Lurex 371. I is so much easier to work with than the metallic braid and there are some good sections, such as the middle of the row. Number 9 was my first attempt to work PBS on the curve. I didn’t find that difficult, no more difficult than following a straight line. I think the stitches may be a little too tight, though, too crowded. But it’s the correct width and size of braid called for in the design. Row A was pretty good, too. There, from left to right, I used #8 fine braid (which is what the design calls for), #4 very fine metallic braid, and finally, Japanese gold twist–the real metal thread. It is so much prettier than metallic threads.
I find it almost impossible to stitch a 1/8″ line using #8 braid. Here’s how the needle has to be placed in order to get the line of stitches as close as I can to 1/8″. Just try this with the #22 tapestry needle on fabric stretched tight on a frame.
And finally, the practice cloth I’m currently using:
This is 32 ct linen, similar to the linen I’ll use for the final stitching of the design. The row of copper plaited braid stitch is better but still not good enough. While I’m waiting for delivery of the #8 Japanese gold braid that had to be ordered for me, I’ve begun learning the trellis stitch. First, I used the silk thread called for. Terrible. Next I decided to try the stitch using #5 cotton pearl, the better to see what I was doing. That’s more like it. Then I used DMC cotton floss, which is about the thickness of the Needlepoint Silk. Why use up expensive silk thread for these attempts? This stitch needs to be anchored on all sides. I’ve gotten it right, but I need to stitch it inside an outline, a shape, that will support the looping, on-the-surface stitches.
Hours and hours of trying and trying again, for almost two weeks. But I am getting there. I hope!
As for my physics study, that is ongoing. I’ve entered 32 pages of rough draft and passages from the books that I may want to cite. But that’s for another post.
P.S. What you don’t see is all the unstitched attempts.